If you are not the mix engineer, encourage them to go easy on processing as far as possible. Of course, later you may have to lower the quality to produce the final track, however, even then take steps to avoid degradation. If your track files are in 24-bit/48 kHz, keep this quality all the way up to the final track bounce if possible. This means keeping it in high quality for as long as possible. The higher the resolution of the track the more information the engineer has to work with. In the best scenario, a significant amount of headroom will have been left during the mix stage. If transients were left too high during the edit and mix stage there may be little that a mastering engineer can easily do, especially if they have been squared off.Īvoid this to give your mastering engineer the best track for working his magic. It may sound like a basic step but take steps to avoid clipping during the mix stage. If you have mastered a track or two but would like to continue to increase your skills, check out our authoritative article below to find out how. An average artist can be brought to life by excellent audio post-production. A quality artist can have excellent work diminished by poor mastering. Did you know that popular music streaming service Spotify adds 40000 songs to its service every day? More songs are being released commercially than ever before.īut let’s face it, not all songs are created or produced equally.
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